Milton Musical Society 
Regent Centre, Christchurch 
Renée Claude 
24 April 2025
“Sisters, the reviews are in!”
From the very first downbeat of the band to the final glittering bow, Milton Musical Society’s (MMS) take on the Broadway hit Sister Act is a joyous, toe-tapping celebration of music and sisterhood, directed by Jess Barras and Ellie Tripp.
Whoopi Goldberg’s Deloris Van Cartier may be iconic, but newcomer Emma Marshall fills those shoes with charisma, vocal power, and infectious confidence in her MMS debut. The chemistry between her and the soulful voices of Michelle (Beck Ashley) and Tina (Latayan Richardson) in the opening number set a spectacular tone, alongside the tight, well-paced band under musical director Alastair Hume.
The simple staging, anchored by a breathtakingly lit stained-glass window that transformed the space, allowed the characters and music to shine. The lighting design and costumes combined with clever, efficient set transitions kept things moving seamlessly, thanks to a nimble backstage crew and committed cast.
It did take a few minutes for this production to fully hit its stride; early on there were moments where energy dipped and some ensemble members seemed unsure of choreography or lyrics (understandable first-night jitters), but the story really found its groove once Deloris was safely hidden away in the convent.
Kirsti Warne’s choreography deserves a standing ovation: imaginative, lively, and tailored to showcase every performer’s strengths, including the dazzling Shae Carroll as TJ, who brought world-class moves to Christchurch tonight.
Tracy Knapp gave a grounded, emotionally resonant performance as Mother Superior, her conflict with Deloris always believable and heartfelt. Charles Henry, doubling as both producer and the endearing Eddie, had a standout moment with a slick onstage costume change that drew audible gasps. Joey (Oscar Trehane) delivered strong physical comedy in Lady in the Long Black Dress, alongside a spirited Megan Green, cast as Pablo, whose male mannerisms were spot-on and an unexpected delight.
While some American accents drifted in and out, occasionally pulling the audience out of the moment or muddying lyrics, the show’s spirit was never lost. If anything, the few dips in energy early on were met with a wave of audience enthusiasm that the cast carried with them into the finale. By Act II, there was a palpable buzz, especially during the final chase sequence, which brought real tension and a satisfying resolution.
Julie Gower as Sister Mary Patrick amazed with her vocal range, Chelsea Sherry as Mary Robert gave a nuanced performance with pristine vocals, and Cayton Francis’ Monsignor lit up every scene with campy charm and delightful comedic timing.
It’s a show full of sparkle, soul, and surprises. From powerhouse numbers like Raise Your Voice and the titular Fabulous Baby, to intimate moments of reflection such as in the titular song and The Life I Never Led, there truly is something for everyone. The entire production is a testament to the joy of community theatre at its very best. This show is truly blessed!
Catch Sister Act at The Regent Centre from 24th-26th April 2025 at 7:30pm, with a 2:00pm Saturday matinee. It’s a feel-good spectacle that guarantees a night (or afternoon) of laughter, music, and a little divine inspiration. Don’t miss it!
