SOS Presents 
Mayflower Studios, Southampton
Georgia Rose 
21 January 2026
SOS Presents present a bold and atmospheric production of Sweeney Todd, expertly bringing Stephen Sondheim’s dark and demanding musical to life with confidence and character at The Mast Theatre. With the run selling out two months prior to opening, Southampton audiences have eagerly anticipated the arrival of the demon barber of Fleet Street.
Under the direction of Rory Blincow, the production achieves a careful balance between macabre humour and chilling drama. Blincow’s vision is apparent throughout, with assured pacing and thoughtful staging that allow both the story and the music to resonate. Despite the challenges of the piece, the production never feels overreaching, instead leaning into strong characterisation and cohesive ensemble storytelling.
Ollie Woods leads the cast as Sweeney Todd with an intense and brooding presence. His portrayal captures the character’s simmering rage and tragic obsession, supported by a commanding vocal performance that anchors the show. Woods dominates the stage with authority, creating a compelling and believable barber driven by revenge.
Opposite him, Jamie-Louise Sim is a highlight as Mrs Lovett, bringing warmth, wit and impeccable comic timing to the role. Her performance provides much-needed levity without undermining the darkness of the story, and her chemistry with Woods is particularly engaging. Sim’s characterisation feels both entertaining and unsettling in equal measure.
Amy Jordan delivers a beautifully sung Johanna, imbuing the role with innocence and emotional depth. Her clear and expressive vocals provide moments of calm amidst the chaos of Fleet Street. Eva McManus is equally impressive as Tobias Ragg, giving a sensitive and heartfelt portrayal that emphasises the character’s vulnerability and gradual disillusionment.
The supporting cast contribute to a cohesive ensemble, reinforcing the show’s ominous atmosphere and helping to fully realise the world of Sweeney Todd. Musical numbers are handled with precision, and the production, as a whole, demonstrates the considerable talent within the company.
A special mention is due for the production’s clever and humorous take on the barber’s chair. Without revealing any plot details, this inventive staging is both entertaining and effective, adding an extra layer of creativity that enhances the storytelling and delights the audience.
Musically, the production excels. The band are to be praised for their assured handling of Sondheim’s complex score, delivering well-balanced accompaniment throughout. The music supports the action on stage and significantly contributes to the mood. The chorus is employed to great effect, remaining present for much of the production and providing consistently blended vocals. Their continual involvement adds tension and cohesion, reinforcing the dark world of Fleet Street and elevating the overall impact of the show.
Technically, the production is well supported by competent lighting and sound, which effectively establish mood and location while maintaining clarity of dialogue and vocals. Costumes and staging are period-appropriate and visually coherent, complementing rather than overshadowing the performances.
Overall, this production of Sweeney Todd stands as a commendable achievement for SOS Presents. With clear direction, committed performances, assured musical support and thoughtful technical elements, the company have successfully tackled one of musical theatre’s most demanding works. The sold-out run is a testament to the quality of the production and the dedication of everyone involved, and the company should be rightly proud of their accomplishment.
